Estudio de Concierto by Agustin Barrios Mangore
Monday, March 2, 2009
This study was written in 1940. It uses a 16th note arpeggio figure through all the piece, but it never gets boring thanks to his genius use of harmonic relations.
Everything about Mangore
This study was written in 1940. It uses a 16th note arpeggio figure through all the piece, but it never gets boring thanks to his genius use of harmonic relations.
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